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The sun flutes
7-tone pentatonic in its most beautiful form.
If you build up the notes d, e, g, a, b in fifths on top of each other, you arrive at a certain sequence: G,D,A,E,B. In the center of these tones is the tone a. If you arrange the notes d, e, g, a, b in a circle and then draw the connecting lines from G via D, A, E to B, you get a pentagram with the note A at its head (apex). The note a is obviously of central importance within the 5 pentatonic tones.
This becomes even clearer if you place these notes in the closest position and then examine the tone steps (intervals) from A. From A, the intervals are mirrored: downwards a major second, then a minor third; also upwards: first a major second, then a minor third. The intervals are only mirrored from note A; no interval mirroring occurs from any of the other notes. Against the background of this phenomenon, one can come to the conclusion that tone A has a special significance within the 5 pentatonic tones.
Rudolf Steiner assigned all seven tones to the different planets. He thus assigned
- the tone E to Jupiter
- the tone G to Saturn
- the tone A to the sun
- the tone H to the moon
- the tone D to Mercury
The five pentatonic tones e,g,a,h,d are apparently a solar scale with the solar tone A at its center.
This brings us closer to the question of why Rudolf Steiner suggests these tones in particular for young children.
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