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Webinars & Seminars. Thoughts on advantages and disadvantages

Woman attends a webinar

To be (there) or not to be!

Very early in the history of mankind there was the dream of the seven-league boots, with which one could cover great distances in a short time.

In the starship Enterprise ("Voyager" for the younger ones) you could simply beam yourself to another place ("transfer" for the older ones).

The dream of fast and comfortable travelling has probably accompanied us since we did the stupid thing with the apple steal at our garden rental company at that time.

We wish to reach our destination immediately, without having to take the hardships and strains of the journey on ourselves.

Whether these wishes themselves and the "boys who give birth to them" bring about good or bad things in us and in the world is open to question and that is not the central thread of this article.

The point is that since the invention of Morse code and the spread of the telephone, distances have shrunk.

Today, thanks to the Internet, we can overcome incredible distances effortlessly and at very low cost, at least with our language and our image.

From home - and without blackening our CO² footprint by travelling too much - we can view and listen to pictures and voices from around the world. Also our picture and our words rush around the world just as easily.

At this point, the attentive reader already realizes the special nature of this kind of travel. Only two senses are allowed in the travel group: seeing and hearing. The eyes and the ears get their money's worth. Depending on the technical equipment with limitations or intoxicatingly realistic. Anyone who has ever put on virtual reality glasses can guess where the travel experiences will take our eyes in the coming years. You believe you are standing in the middle of the action and no longer looking at a flat screen.

Meanwhile the other senses are sitting around more or less bored. Our nose doesn't smell anything new, our body doesn't perceive any climatic change and our hands can't "grasp" what the eyes see, in the most original sense of the word. The senses of taste are doomed to puritanical abstinence. Nothing can cross our lips in the direction of the digestive tract whose taste is not already known to our oral senses.

So it's all crap?

That would be judging too quickly. A picture in a museum is something we can only internalize with our eyes. Should we want to touch it, the museum staff would surely and quickly find ways and means to point out to us the lack of sense in our current actions.

Even on the telephone we can only try to guess the missing facial expressions of our conversation partner with our ears.

So there have always been moments in which we experience our environment and our fellow human beings only to a limited extent.

As always, there are two sides to the coin. We get something - and pay a price for it.

At webinars we can learn from lecturers without travelling, no matter where they or we are at the moment. Anyone who has experienced this before will find out: Nevertheless, during the online course we are connected with like-minded people through the present senses - seeing and hearing.

The senses that cannot be served by the webinar technique pay the price at first sight. But we save time, travel and accommodation costs. How about giving a gift from this budget to the senses that are outside the webinar. A good meal, a warm bathtub with precious essences or a massage?

I believe a harmony of all senses could be created with this. Perhaps in such moments the ears tell the other senses what they have heard. When a pleasant shiver runs down your spine, this indicates that another sense has been captured by the touching travelogue. 

And when the wanderlust, then rightly at some point draws attention to itself and says: "Now let's all do something together!"

Then go to a seminar in Fulda and enjoy - with all your senses.

Oh yes, we also have good food and exquisite drinks. (Should your senses ask for it)

We' II see you...

Reliable disinfection of recorders

Reliable disinfection of recorders with the VirEx20.20

Hygiene has always been important to us and we have never underestimated its importance.

Due to the current developments, which began at the end of 2019, and which have completely turned life upside down in many areas in 2020, we have once again significantly increased our activities in the field of hygiene and disinfection.

We disinfect all instruments that we send out or receive back in a special disinfection facility.

The VirEx20.20 developed by us works with a combination of physical and chemical processes that have been used for many years in clinics and food production.
These procedures are absolutely harmless and no residues remain in the instrument.

Even instruments that we receive for repair are conscientiously disinfected before and after revision.  

Your health is worth it to us.

You should treat yourself! Right now!

Sometimes it is wonderful to be served and pampered.
Just express a wish and it will be fulfilled as if by magic.
Right now is the time to indulge yourself.

Finally - due to the crisis - we have a little more time and peace.
Peace and quiet and time are great, but the general conditions are, to put it mildly: more than worth giving up.

We can't influence the external conditions, our feelings and actions can.
Let us understand this phase not as a restriction, but as a possibility for shaping. Let us create free space for ourselves to do beautiful things and draw strength from them.

For example, making music, finally subjecting one of our own recorders to a wellness and hygiene cure or rewarding ourselves with the long awaited new instrument.
Because now is the right time to get to know the instrument.

But is that possible in these times? Yes, of course!

In our workshops FEHR, Kunath.com, Blockfloetensanatorium.de and in the Blockfloetenshop.de we work with different methods of disinfection and sterilization. All systems are clinically tested and have been proven to work against the new SARS-CoV-2 virus.

If you receive an instrument from us, it has been sterilized / disinfected before shipping. This way we protect you.

If you send us an instrument, we also disinfect it. This is to protect ourselves. The instrument is then disinfected again before it is sent. For your protection.
With this procedure and the investments in materials, equipment and facilities, we are setting new hygiene standards in our companies.

So you can be pampered without any worries! And you should be worth it.

We look forward to pampering you or your instrument.

Call us, write us an email or chat with us on the website.

 

Your Kunath-Team

 

Definition

Disinfection: Reduction of the number of pathogenic germs, so that the object no longer poses a risk of infection.  

Sterilisation: Free of reproducible bacteria, fungi, spores and viruses.

Who says the recorder isn't cool?

This cool gang not only won 1st place at Jugend Musiziert in Freiburg, Germany, but is also living proof that the recorder is cool.
Silvia Ott, the boss of the gang, once again made it clear with the performance of this "magic 4" who is in charge in the ring.
She has been choreographing the performances of her student groups with great attention to detail and great commitment for years.
The full-blooded pedagogue enables young musicians to play on larger instruments, with which pupils of this age group usually do not come into contact.
This motivates and leads almost inevitably to the winner's podium.

Congratulations to: (from left to right) Maxime Ogoudélé - Lennox Lietz - Noah Ogoudélé - Metin Erol

Red Snake! Special Edition

Tenor recorder with Red-Snake-Design

Tomy - our new surface specialist has been working as a snake tamer in the last weeks.

Red Snake Blockflötendesign Paetzold by Kunath

 

The result is the tenor: 23DB-A-SL (Red Snake).

The Paetzold by Kunath tenor recorder sounds impressive. This acoustic quality is visually complemented in the most impressive way by the Red Snake design.

Players who want to step out of the crowd will surely find what they are looking for here.

Important information: Prospective buyers are thoroughly checked by the Paetzold by Kunath team before the snake is handed over. Only players who can prove that they can keep the new roommate in a species-appropriate manner will receive the snake.

XF4000 makes its debut in Antwerp

Paetzold by Kunath xf4000 Airbrush design

Antwerp is known for art, architecture and of course the diamond trade. Rubens, Van Dyck and Jordaens worked here. An excellent place to present the uniquely designed XF4000 to the public. The design jewel presented itself yesterday evening at Integrated¹ 2019

xf4000 design bass The graphic design of the presented XF4000 was submitted by Jeanne Strieder to the Paetzold by Kunath design competition for the 5th anniversary of the company handover and won the vote clearly at that time. The airbrush artist Werner Simnacher realized the design on a Paetzold by Kunath MASTER Basset according to the specifications of the artist.

Sylvia Hinz, who owns the pictured instrument, decided to realize the design on a MASTER Basset with two headpieces.

We are sure that XF4000 will be seen on many stages together with the artist in the next years.

Would you like to own an instrument with a unique design? Talk to us. Our surface specialists will realise your designs and wishes in an impressive way.

 


 


¹ The Integrated is a biennial international conference that explores the changing perspectives of designers, visual and performing artists, architects and scientists and how they can be the unifying actors in this troubled and complex society. The conference aims to develop new methods that create links between different art movements and society for political, social and ecological motives.

You are the icing on the cake ...

coffee cup with icing

Historically, we are one of the younger instrument making workshops in the field of woodwind instrument making.
If you look at our growth, you can count us among the "trend brands" without exaggeration, as we have been able to take responsibility for two strong and influential traditional sites in addition to the successes of the core brand Kunath over the past few years.

  • Herbert Paetzold Recorder making
  • H.C. FEHR Recorder making 

Both markets have become an integral part of the Werkstattgemeinschaft Kunath Instrumentenbau and have made Fulda a centre for recorder making in Germany.

We are happy that our team has grown by five more people since 1.11.2019:

  • Roberto Bonanno - cabinet making and finishing work
  • Nora Dhom - Repairs and Voicing
  • Lucia Eisel - Sales, Telephone Service, Recorder Shop
  • Tomy Hofmann - Surface technology
  • Svetlana Moor - key construction, body preparation

In particular, we would like to thank you, our customers, for your wonderful support of our work. Through your suggestions and wishes you spur us on again and again to become a little bit better every day.

Thank you! You are the icing on the cake on our day.

the team in the recorder paradise

And the winner is ...

Jennifer Hövelkamp wins the Bildungsoscar 2019 in the field of woodwind instrument making

The publications on the subjects of wood, materials science, music history, stylistics and work theory fill several metres of shelf space.
On each page you will find existing knowledge that needs to be understood, interlinked and combined into new ideas.
The Oscar Walcker School in Ludwigsburg can certainly be described as the elite forge of musical instrument making worldwide.

Legendary are the partly worldwide excursions of the trainees, which take place in the context of the training.
The curriculum includes the subjects and fields of knowledge which cannot or only with difficulty be taught in specialised companies.
Within the framework of the block lessons lasting several weeks, the young instrument makers come together intensively with the other fields of instrument making.
In this way they can exchange ideas, learn by transfer and overcome their own company blindness in a reflective way.

Each year, the best trainees are awarded the Education Oscar by a panel of experts.
The fact that Fulda is the new centre of recorder making is not only underlined by the number of brand manufacturers who have set up their workshops in the city (FEHR, Kunath, Mollenhauer, Paetzold by Kunath),
but also by the fact that the educational Oscar in woodwind instrument building went to Fulda for the third time this year.
In 2015 Maja Huber (Kunath Instrumentenbau) secured the coveted trophy, in 2016 Sina Bayer (Conrad Mollenhauer GmbH) won the prize and in 2019 Jennifer Hövelkamp (Kunath Instrumentenbau) kidnapped the Oscar again to Fulda.

It is worthwhile to keep an eye on this new centre of recorder making.