Sigo colour tenor recorder, baroque double hole, 442 Hz, Resona black
€159.00
Available, delivery time: 1-3 days
Product information "Sigo colour tenor recorder, baroque double hole, 442 Hz, Resona black"
... away from "copy & paste" and towards "create".
While the recorder models that are played today are based on the ideas of historical instrument makers such as Rottenburgh, Denner, Kynseker, Bressan and others, sigo goes its own way.
Sigo is a recorder model series developed in collaboration between Kunath Instrumentenbau and Geri Bollinger, one of Europe's leading recorder makers.
The tenor instrument 5405-072 has almost the same grip width as a soprano (descant) recorder. The angled headjoint and the thumb rest integrated into the mould make sigo particularly ergonomic.
The body and head are made of RESONA, a material developed by Kunath Instrumentenbau from renewable raw materials.
As the sigo scale is folded, the instrument sounds just as deep, even though it is shorter than a normal tenor flute.
The matt surface of the lower body and the thumb rest integrated into the shape make the instrument exceptionally comfortable to play.
Purchase advice
At Blockfloetenshop.de you will receive an additional 3-year guarantee on top of our manufacturer's guarantee.
| Accessories: | Cork grease, care instructions, fingering chart |
|---|---|
| Group: | Recorders |
| Net weight: | 0.242 kg |
| Sound characteristics: | RESONA: Full and clear sound image |
| blowing type: | Buckling head |
| construction method: | 2-part (head and lower body) |
| country of origin material: | Germany |
| fingering: | Baroque double hole |
| material: | RESONA |
| model series: | Sigo |
| packaging: | multi-part cotton bag |
| pitch standard: | 442 Hz |
| scale: | Sigo conical convolution mensur |
| structure of material: | RESONA: Closed surface. Density comparable to rosewood. Made from renewable raw materials. |
| suitable for music style: | All styles |
| surface treatment: | Oiled / waxed |
| target group: | ergonomic, acoustic gourmets |
| tenon joint: | Sliding fit |
| voice type: | Tenor |
| windway: | Curved, cylindrical |
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Care
Anti-condensation for recorders - glass bottle with pipette Moisture in the windway is one of the most common causes of so-called "hoarseness" of the recorder. The anti-condensation from Kunath Instrumentenbau effectively reduces the surface tension of condensation and ensures that no more annoying droplets form. Instead, an even film of moisture is distributed, allowing the airflow to pass unhindered - for a clear, stable sound. The product has been specially developed for the care of high-quality wooden recorders and recorders made of RESONA material. It protects the sensitive surfaces without stressing or drying out the material. Thanks to the glass bottle with fine pipette, the anti-condensation can be dosed precisely and sparingly. A small amount is enough to achieve optimum results. Application:Add one or two drops to the windway, leave to act briefly and simply blow out any excess liquid if you want to continue playing immediately. Advantages: Reliably prevents the formation of droplets in the windway Suitable for wooden and RESONA recorders Gentle effect, economical to use In high-quality glass bottle with pipette Contents: 20 ml An indispensable care product for a clear sound and long-lasting playing pleasure - developed for musicians who care about precision and sound quality.
Articles about Sigo colour tenor recorder, baroque double hole, 442 Hz, Resona black
Frequently asked questions
Short answer: No!
Detailed answer: sigo doesn't need to be reheated because the body is made of RESONA.
This innovative material consists of plant fibres and the finest wood particles, but only swells by 0.1% compared to cherry wood.
This means that RESONA is not a dead material like conventional petroleum-based plastic, but remains pleasantly alive and dimensionally stable - so the block and windway remain permanently precise.
Nevertheless, playing in is an interactive and rather personal process:
Although the material does not need to be "acclimatised to moisture", you should consciously take the time to experiment more intensively with your sigo.
In doing so, you will learn how the instrument reacts to different blowing and embouchure techniques and discover new musical possibilities - for maximum playing enjoyment.