The 2.0m extension cable (mini XLR plug/3P-M to mini XLR socket/3P-F) can be used to increase the distance between the instrument and mixing console/amplifier.
A useful accessory.
The Audix APS910 Phantom Power Adapter is compatible with the Wp1x and micK microphones.
In order to connect the microphones for recorders to a mixing console, you need a power supply for the microphone.
This is called phantom power.
If the WP1X (Rumberger) or micK (Kunath Instrumentenbau) microphones are operated via a transmitter, you do not need an additional power supply.
However, if you want to connect the microphones directly to a mixing console, the microphones require phantom power between 9-52V. The Audix APS910 takes this voltage from the audio console and adapts it to the microphone accordingly.
The Audix APS910 is therefore a phantom power supply. It has both a mini XLR connector for your microphone and an XLR connector that connects to your mixer or microphone cable.
The APS910 ensures that power is supplied to the correct pins for energy-efficient electret microphones.
Technical specifications
Input connectors: Mini XLR socket
Output connector: 3-pin XLR plug
Adapter: Converts 9-52V phantom power to less than 9V for electret microphones.
Rechargeable battery: No
Power supply from mixer: 48V phantom power
Dimensions: 7.6 x 2.0 cm diameter
Weight: 171g
What could be more impressive than a (bass) recorder amplified via a microphone?
Probably not much. And it is very easy to amplify or "pick up" a recorder with a microphone.
There are basically two ways:
External microphones
Internal / built-in microphone
Both types have their advantages and disadvantages. Since you are reading this page, you seem to be interested in internal microphones.
The advantages are obvious:
there is no disturbing external noise
the microphone is very unobtrusive
the microphone is always in the right and same place
During installation, we drill a hole in the recorder head. AHHHHH!
Don't worry! Your recorder already has many holes - and be honest - without these holes, the good piece would be a lot less fun. Or
Besides, we know what we're doing. We've done it hundreds of times.
The microphone is later inserted into the sleeve that we install.
You will receive a plug with the sleeve, which you can use to close the hole in the sleeve if no microphone is fitted.
These installations can also be carried out on an outpatient basis if you come to our workshop by appointment.
Or you can send the instrument to us. You will receive it back within a few days, and then ... "show the others how the block rocks."
Here it is! The ultimate microphone for bass recorders! The micK from Kunath Instrumentenbau.
In our workshop we build the largest recorders in the world - so who better to take on this topic
After many discussions with musicians and the resulting requests, we developed the micK(microfon Kunath).
micK is optimised for the low sound pressure of bass recorders.
While the Rumberger WP1X is the first choice for high recorders, it is less or not at all suitable for low instruments.
This is where the micK comes in. It takes over the powering up of low instruments.
micK can be used with radio transmitters or directly on mixing consoles with phantom power.
For use with mixing consoles, we recommend the Audix APS-910, which you can also find in our shop.
Technical data
Frequency: 20 - 20,000 Hz
Connector: mini XLR
If your recorder microphone always overdrives on a system - i.e. the sound is scratchy - then you should use this little helper: Monacor JTS MA-123, the adjustable attenuator for balanced microphones.
What could be more impressive than a (bass) recorder amplified via a microphone?
Probably not much. And it is very easy to amplify or "pick up" a recorder with a microphone.
There are basically two ways:
External microphones
Internal / built-in microphone
Both types have their advantages and disadvantages. Since you are reading this page, you seem to be interested in internal microphones.
The advantages are obvious:
there is no disturbing external noise
the microphone is very unobtrusive
the microphone is always in the right and same place
During installation, we drill a hole in the recorder head. AHHHHH!
Don't worry! Your recorder already has many holes - and be honest - without these holes, the good piece would be a lot less fun. Or
Besides, we know what we're doing. We've done it hundreds of times.
The microphone is later inserted into the sleeve that we install.
You will receive a plug with the sleeve, which you can use to close the hole in the sleeve if no microphone is fitted.
These installations can also be carried out on an outpatient basis if you come to our workshop by appointment.
Or you can send the instrument to us. You will receive it back within a few days, and then ... "show the others how the block rocks."
The original installation sleeve for the Rumberger WP1X microphone.
If you want to use your Rumberger microphone in several instruments, you will need additional installation sleeves.
You can order these sleeves here.
You can also send us your instrument and we will install the sleeve for you for a small fee.
The article: Sleeve and installation can also be found in this section.
The ultimate microphone for high recorders! The WP1X from Rumberger.
Many of our customers are on stage and need flexible amplification for their instruments.
We were happy to address this issue
The WP1X is optimised for the high sound pressure of clarinets and also works well with soprano (descant) recorders, alto recorders and tenor recorders.
WP1X can be used with radio transmitters or directly on mixing consoles with phantom power.
We recommend the Audix APS-910 for use with mixing consoles. You can also find this phantom power supply in our shop.
Technical data
Frequency: 30 - 20,000 Hz
Connector: mini XLR
Power supply: 48V phantom power
Mode of operation: Advanced Piezo Technology (APT)
Output impedance: 600 Ohm
Pickup weight: 2g
Product number:
MI-WP1X
€320.00*
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