Twinständer für Paetzold by Kunath Basset-Blockflöte
Der Kreuzständer für die Paetzold by Kunath-Bassflöten verbindet die Vorzüge des Kreuständers und des Kopfkreuzständers.Die Funktionen:
Abstellen des Instruments ohne montiertem Teleskop-Stachelbein im engen Ausschnitt.
Abstellen des Instruments mit montiertem Teleskop-Stachelbein im weiten Ausschnitt.
Get the best out of your Paetzold by Kunath f-basset recorder with the 44-DD double seal set! Optimise the sound and improve the response of the low notes with our highly elastic special foam.The double seal set 44-DD is an absolute must-have for every basset recorder player. Our specially developed seals are made of a highly elastic special foam that optimises the sound of your recorder and improves the response of the low notes. The double seal also increases the stability of the air column, resulting in a more even sound.Our double seal set 44-DD fits the Paetzold by Kunath f-Basset recorder perfectly. It is made of high-quality material and is very durable if handled correctly.Caution! When transporting and storing the instrument, the supplied red seal protection caps must be placed over the double seals!Experience a completely new playing experience with the double seal set 44-DD and expand the endless possibilities of your Paetzold by Kunath recorder.Whether for professional use or for the hobby musician - our set is the perfect addition for your old Paetzold by Kunath basset recorder. New instruments or instruments that are in our workshop for a general overhaul are fitted with these seals as standard.You can rely on our many years of experience and know-how in the field of recorder making.We stand for quality and customer satisfaction and guarantee you a product of the highest standard.
The strap holder is attached under the holding forks of the lower body of the Paetzold by Kunath basset recorders. It has an eyelet into which a carrying strap can be hooked.
This allows you to carry the basset recorder like a saxophone and play it comfortably while standing or walking. The carrying strap holder is particularly convenient on the 3D-printed SOLO models, which are significantly lighter than the MASTER models made of birch plywood.
Get the best out of your Paetzold by Kunath subbass recorder with the 46-DD double seal set! Optimise the sound and improve the response of the low notes with our highly elastic special foam.The 46-DD double seal set is an absolute must for every double bass recorder player. Our specially developed seals are made of a highly elastic special foam that optimises the sound of your recorder and improves the response of the low notes. The double seal also increases the stability of the air column, resulting in a more even sound.Our 46-DD double seal set is a perfect match for the Paetzold by Kunath sub-bass recorder. It is made of high-quality material and is very durable if handled correctly. Attention: During transport and storage of the instrument, the red seal protection caps included in the scope of delivery must be placed over the double seals!Experience a completely new playing experience with the 46-DD double seal set and expand the endless possibilities of your Paetzold by Kunath recorder. Whether for professional use or for the hobby musician - our set is the perfect addition to your alto Paetzold by Kunath subbass recorder. New instruments, or instruments that are in our workshop for a general overhaul, are fitted with these seals as standard.You can rely on our many years of experience and expertise in recorder making. We stand for quality and customer satisfaction and guarantee you a product of the highest standard
The strap holder is attached under the holding forks of the lower body of the Paetzold by Kunath double bass recorders. It has an eyelet into which a carrying strap can be hooked.
This allows you to carry the double bass recorder like a saxophone and play it comfortably while standing or walking. The carrying strap holder is particularly convenient on the 3D-printed SOLO models, which are significantly lighter than the MASTER models made of birch plywood.
General information
The instrument from the MASTER series with the model designation: 46-46 from Paetzold by Kunath is a musical tool that makes music-making fun both in the classroom and on stage.
The instrument owes this characteristic mainly to the masterful marriage of the special model in the fine tuning with the qualities of the RESONA material used.
This material inspires the instrument with its extraordinary advantages. The special features can be summarised as follows: Noble,.
The scale
The inner bore of the instrument is cylindrical and wider. This type of bore gives the instrument its typical sound.
In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower scale.
What music can the recorder be used for?
RESONA is particularly suitable for recorders that are used in ensembles, in choral playing and as a solo instrument.
Who is this instrument aimed at?
This means that recorders made from RESONA are particularly suitable for beginners. Another rule to bear in mind is that a higher quality instrument is generally more pleasant to play than one of lower quality.
The windway of the recorder
The windway is the area in the head of the recorder in which the blowing air is moulded into a thin sheet of air. This air blade is the determining element in the sound production of a recorder.
In interaction with the labium, the air blade creates the vibration that generates the flute sound. The shape of the windway is therefore
one of the defining principles
for the instrument's ability to create music. The recorder 46-46 by Paetzold by Kunath has a windway that is straight and conical in shape.Conical windways accelerate the air more than cylindrically shaped ones. Windways are of course extremely complex in their geometric shape and many parameters influence each other.
Fingering
The Paetzold by Kunath MASTER 46-46 model is manufactured in the following design: .
Keys
The tone holes cannot always be drilled in places in the instrument that are comfortable and easy to reach with the fingers. Particularly on low recorders, some tone holes are located in positions that are ergonomically difficult to reach for reasons relating to response. On these instruments, the instrument makers fit mechanisms that make playing easier or even possible in the first place.
The instrument 46-46 has the following keys: . This means that it can also be played comfortably by players with smaller hands.
The key shape is unique and legally protected. Especially in Taiwan and Korea, these recorders are often used in schools by leading teachers for adolescent players.
But adult players with small hands also enjoy the advantages of the .
Construction method
The number of components in a musical instrument has a fundamental influence on the way in which the recorder is easy to handle in terms of ease of grip on the one hand and safe to transport on the other. This is particularly important when transporting larger or multiple instruments.
Experienced ensemble players can tell you a thing or two about this.
Packaging and accessories
The model is supplied as standard with an optional bag/case and useful accessories: grease tin, fingering chart, care instructions
Hygiene tips
If the recorder is often lent out, you should consider regularly disinfecting the beak area to keep it clean.
Flautisept has proven to be a safe aid in these cases. You can find Flautisept in our collection.
Tips for finding a new recorder
How to easily find your next instrument
Seek expert advice!
However, you should not be dissuaded from playing an instrument yourself by "generally accepted" rules such as "material xy doesn't work at all in an ensemble / for professionals".
Your musical perception is as unique as you are. Therefore, only you can decide which instrument makes you happy. Our recommendation is therefore: Try out new construction concepts that you have not yet tested.
You can only gain experience.
Twin stand for Paetzold by Kunath double bass recorder
The cross stand for the Paetzold by Kunath bass recorders combines the advantages of the cross stand and the head cross stand.The functions:
Positioning the instrument (foot downwards) without the telescopic spike leg fitted in the narrow cut-out.
Positioning the instrument (head downwards) with the telescopic spiked leg fitted in the wide cut-out.
The plug-in system allows the stand to be conveniently transported disassembled in the flute bag or case.The stand plates are held together securely with magnets.
Customise the stand to your instrument
Paetzold by Kunath double bass recorders have been around since the 1980s. The model has been revised and improved over the decades. The small rubber dampers allow you to adjust the stand perfectly to your instrument using the Allen key supplied.
Please note
Before storing the instrument in the wide cut-out for a longer period of time - i.e. overhead - it is advisable to empty the plug and the drip-cup.
Material
Birch plywood, transparent lacquered
Twin stand for Paetzold by Kunath greatbasses recorder
The cross stand for the Paetzold by Kunath bass recorders combines the advantages of the cross stand and the head cross stand.The functions:
Placing the instrument in the narrow cut-out without the telescopic spiked leg fitted.
Placing the instrument with the telescopic spiked leg fitted in the wide cut-out.
Get the best out of your Paetzold by Kunath greatbasses recorder with the double seal set 45-DD! Optimise the sound and improve the response of the low notes with our highly elastic special foam.
The double seal set 45-DD is an absolute must-have for every greatbasses recorder player.
Our specially developed seals are made of a highly elastic special foam that optimises the sound of your recorder and improves the response of the low notes.
The double seal also increases the stability of the air column, resulting in a more even sound.
Our double seal set 45-DD fits perfectly with the Paetzold by Kunath greatbasses recorder. It is made of high-quality material and is very durable if handled correctly. Attention: During transport and storage of the instrument, the red seal protection caps included in the scope of delivery must be placed over the double seals! Experience a completely new playing experience with the 45-DD double seal set and expand the endless possibilities of your Paetzold by Kunath recorder. Whether for professional use or for the hobby musician - our set is the perfect addition to your old Paetzold by Kunath greatbasses recorder.
New instruments, or instruments that are in our workshop for a general overhaul, are fitted with these seals as standard. You can rely on our many years of experience and expertise in recorder making.
We stand for quality and customer satisfaction and guarantee you a product of the highest standard
The strap holder is attached under the holding forks of the lower body of the Paetzold by Kunath great bass recorders. It has an eyelet into which a carrying strap can be hooked.
This allows you to carry the greatbasses like a saxophone and play comfortably while standing or walking. The carrying strap holder is particularly convenient on the 3D-printed SOLO models, which are significantly lighter than the MASTER models made of birch plywood.
Ein Mundstück muss angenehm sein! Das Mundstück ist das Teil des Instruments, das den Kontakt zum Instrument herstellt.
Die Beschreibung
Das Mundstück gehört auch zu dem Teil eines Holzblasinstruments, das die Luft in den tonerzeugenden Bereich leitet.
Daher ist seine Qualität besonders wichtig. Sie beeinflusst den Klang des Instruments stark.
Die inneren Geometrien sind von entscheidender Bedeutung, da sie den tonerzeugenden Luftstrom führen.
Material
Das Mundstück mit der Artikelnummer 49-24 besteht aus dem mit dem aus lebensmittelzulassungstechnischer Sicht unbedenklichen Material: Polyoxymethylene.
Die Verwendung
Das Mundstück passt zu den Paetzold by Kunath Blockflöten mit flachem Anblasstück.
Um genau zu bestimmen, welches Mundstück Sie benötigen, nutzen Sie bitte unseren Ersatzteilfinder: https://kunath.com/Paetzold-by-Kunath/Ersatzteilfinder/
A mouthpiece must be comfortable! The mouthpiece is the component that establishes contact between the player and the instrument.
Description
The mouthpiece is also one of the parts of the instrument that directs the air into the sound-producing area.
Its quality is therefore particularly important. It has a decisive influence on the sound of the instrument.
The internal geometries are of decisive importance.
Material
The mouthpiece with article number 49-22 is made of the durable material: polyoxymethylene.
Use
The mouthpiece fits Paetzold by Kunath recorders with blowing tubes with step, which have been on sale since March 2013.
To find out exactly which mouthpiece you need, please use our spare parts finder: https://kunath.com/Paetzold-by-Kunath/Ersatzteilfinder/
The blowing tube is the component that forms the transition between the mouthpiece and the instrument.
Description
The blowing tube is the part of the instrument that directs the air to the tone-producing area.The design of the geometries is therefore particularly important. The blowing tube also has a decisive influence on the response and sound of the instrument.The internal geometries are of crucial importance.
Material
93% of the blowing tubes are made from climate-neutral and renewable materials. The remaining 7% consist of light-curing plastics, which are also used in dental technology.
Application
There are three different sizes of blowing tubes.
Development
The blowing tubes have been further developed over time, with a particularly important model development taking place in March 2011. As the mouthpieces in the alto models did not fit permanently in the blowing tube due to the short mouthpiece tenon, parts were revised.The tenon of the mouthpieces was extended. This allowed a cork ring to be attached to the tenon. The blowing tubes were also redesigned so that the longer tenons did not interfere with the air flow in the blowing tube. They were given a step. You can easily recognise the new blowing tubes by this raised plateau.
Model numbers of the blowing tubes until March 2011
These blowing tubes are suitable for mouthpieces without cork on the tenon.
Item number: 49-15, medium blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured until March 2011)
Item number: 49-14, small blowing tube for basset and greatbasses (manufactured until March 2011) or
Item number: 49-16, long blowing tube for double bass, sub-bass and sub-contrabass (manufactured until March 2011)
Model numbers of the blowing tubes from March 2011 onwards
These blowing tubes are suitable for mouthpieces with cork on the tenon.
Item number: 49-13-AS, long blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured from March 2011)
Item number: 49-12-AS, medium blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured from March 2011) or
Item number: 49-11-AS, small blowing tube for basset and greatbasses (manufactured from March 2011)
Spare parts finder
To find out exactly which mouthpiece/blowing piece you need, please use our spare parts finder
This set consists of mouthpiece, blowing tube and drip-cup. Everything is new, everything fits together, and to all models of this voice type that have ever been built.
The description
Like the mouthpiece, the blowing tube is one of the parts of a woodwind instrument that guides the air to the tone-producing area.The internal geometries are of crucial importance as they are designed to guide the tone-producing airflow with minimal turbulence. The mouthpiece and blowing tube therefore have a strong influence on the response and sound of the instrument.
Material
93% of the blowing tubes are made from climate-neutral and renewable materials. The remaining 7% are light-curing plastics, which are also used in dental technology. The mouthpieces and drip-cups are made from POM. This material has food approval.
The use
There are three different sizes of blowing tube sets.
The development
The blowing tubes have been continuously developed and in March 2011 a particularly important development took place. As the mouthpieces on the alto models did not fit permanently in the blowing tube due to the short mouthpiece tenon, parts were revised.The tenon of the mouthpieces was extended. This allowed a cork ring to be attached to the tenon. The blowing tubes were also redesigned so that the longer tenons did not interfere with the air flow in the blowing tube. They were given a step. You can easily recognise the new blowing tubes by this raised plateau.
Model numbers of the blowing tube sets
Item number: 49-12-AS-K, medium blowing tube set for double bass, sub-grand bass and sub-contrabass (model from March 2011)
Item number: 49-13-AS-K, long blowing tube set for double bass, sub-grand bass and sub-contrabass (model from March 2011) and
item number: 49-11-AS-K, small blowing tube set for basset and greatbasses (model from March 2011)
The spare parts finder
To find out exactly which mouthpiece/blowing piece you need, please use our spare parts finder
The blowing tube is the component that forms the transition between the mouthpiece and the instrument.
Description
The blowing tube is the part of the instrument that directs the air to the tone-producing area.The design of the geometries is therefore particularly important. The blowing tube also has a decisive influence on the response and sound of the instrument.The inner geometries are of crucial importance.
Material
93% of the blowing tubes are made from climate-neutral and renewable materials. The remaining 7% consist of light-curing plastics, which are also used in dental technology.
Application
There are three different sizes of blowing tubes.
Development
The blowing tubes have been further developed over time, with a particularly important model development taking place in March 2011. As the mouthpieces in the alto models did not fit permanently in the blowing tube due to the short mouthpiece tenon, parts were revised.The tenon of the mouthpieces was extended. This allowed a cork ring to be attached to the tenon. The blowing tubes were also redesigned so that the longer tenons did not interfere with the air flow in the blowing tube. They were given a step. You can easily recognise the new blowing tubes by this raised plateau.
Model numbers of the blowing tubes until March 2011
These blowing tubes are suitable for mouthpieces without cork on the tenon.
Item number: 49-15, medium blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured until March 2011)
Item number: 49-14, small blowing tube for basset and greatbasses (manufactured until March 2011) or
Item number: 49-16, long blowing tube for double bass, sub-bass and sub-contrabass (manufactured until March 2011)
Model numbers of the blowing tubes from March 2011 onwards
These blowing tubes are suitable for mouthpieces with cork on the tenon.
Item number: 49-13-AS, long blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured from March 2011)
Item number: 49-12-AS, medium blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured from March 2011) or
Item number: 49-11-AS, small blowing tube for basset and greatbasses (manufactured from March 2011)
Spare parts finder
To find out exactly which mouthpiece/blowing piece you need, please use our spare parts finder
This set consists of mouthpiece, blowing tube and drip-cup. Everything is new, everything fits together, and to all models of this voice type that have ever been built.
The description
Like the mouthpiece, the blowing tube is one of the parts of a woodwind instrument that guides the air to the tone-producing area.The internal geometries are of crucial importance as they are designed to guide the tone-producing airflow with minimal turbulence. The mouthpiece and blowing tube therefore have a strong influence on the response and sound of the instrument.
Material
93% of the blowing tubes are made from climate-neutral and renewable materials. The remaining 7% are light-curing plastics, which are also used in dental technology. The mouthpieces and drip-cups are made from POM. This material has food approval.
The use
There are three different sizes of blowing tube sets.
The development
The blowing tubes have been continuously developed and in March 2011 a particularly important development took place. As the mouthpieces on the alto models did not fit permanently in the blowing tube due to the short mouthpiece tenon, parts were revised.The tenon of the mouthpieces was extended. This allowed a cork ring to be attached to the tenon. The blowing tubes were also redesigned so that the longer tenons did not interfere with the air flow in the blowing tube. They were given a step. You can easily recognise the new blowing tubes by this raised plateau.
Model numbers of the blowing tube sets
Item number: 49-12-AS-K, medium blowing tube set for double bass, sub-grand bass and sub-contrabass (model from March 2011)
Item number: 49-13-AS-K, long blowing tube set for double bass, sub-grand bass and sub-contrabass (model from March 2011) and
item number: 49-11-AS-K, small blowing tube set for basset and greatbasses (model from March 2011)
The spare parts finder
To find out exactly which mouthpiece/blowing piece you need, please use our spare parts finder
The blowing tube is the component that forms the transition between the mouthpiece and the instrument.
Description
The blowing tube is the part of the instrument that directs the air to the tone-producing area.The design of the geometries is therefore particularly important. The blowing tube also has a decisive influence on the response and sound of the instrument.The inner geometries are of crucial importance.
Material
93% of the blowing tubes are made from climate-neutral and renewable materials. The remaining 7% consist of light-curing plastics, which are also used in dental technology.
Application
There are three different sizes of blowing tubes.
Development
The blowing tubes have been further developed over time, with a particularly important model development taking place in March 2011. As the mouthpieces in the alto models did not fit permanently in the blowing tube due to the short mouthpiece tenon, parts were revised.The tenon of the mouthpieces was extended. This allowed a cork ring to be attached to the tenon. The blowing tubes were also redesigned so that the longer tenons did not interfere with the air flow in the blowing tube. They were given a step. You can easily recognise the new blowing tubes by this raised plateau.
Model numbers of the blowing tubes until March 2011
These blowing tubes are suitable for mouthpieces without cork on the tenon.
Item number: 49-15, medium blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured until March 2011)
Item number: 49-14, small blowing tube for basset and greatbasses (manufactured until March 2011) or
Item number: 49-16, long blowing tube for double bass, sub-bass and sub-contrabass (manufactured until March 2011)
Model numbers of the blowing tubes from March 2011 onwards
These blowing tubes are suitable for mouthpieces with cork on the tenon.
Item number: 49-13-AS, long blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured from March 2011)
Item number: 49-12-AS, medium blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured from March 2011) or
Item number: 49-11-AS, small blowing tube for basset and greatbasses (manufactured from March 2011)
Spare parts finder
To find out exactly which mouthpiece/blowing piece you need, please use our spare parts finder
The blowing tube is the component that forms the transition between the mouthpiece and the instrument.
Description
The blowing tube is the part of the instrument that directs the air to the tone-producing area.The design of the geometries is therefore particularly important. The blowing tube also has a decisive influence on the response and sound of the instrument.The inner geometries are of crucial importance.
Material
93% of the blowing tubes are made from climate-neutral and renewable materials. The remaining 7% consist of light-curing plastics, which are also used in dental technology.
Application
There are three different sizes of blowing tubes.
Development
The blowing tubes have been further developed over time, with a particularly important model development taking place in March 2011. As the mouthpieces in the alto models did not fit permanently in the blowing tube due to the short mouthpiece tenon, parts were revised.The tenon of the mouthpieces was extended. This allowed a cork ring to be attached to the tenon. The blowing tubes were also redesigned so that the longer tenons did not interfere with the air flow in the blowing tube. They were given a step. You can easily recognise the new blowing tubes by this raised plateau.
Model numbers of the blowing tubes until March 2011
These blowing tubes are suitable for mouthpieces without cork on the tenon.
Item number: 49-15, medium blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured until March 2011)
Item number: 49-14, small blowing tube for basset and greatbasses (manufactured until March 2011) or
Item number: 49-16, long blowing tube for double bass, sub-bass and sub-contrabass (manufactured until March 2011)
Model numbers of the blowing tubes from March 2011 onwards
These blowing tubes are suitable for mouthpieces with cork on the tenon.
Item number: 49-13-AS, long blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured from March 2011)
Item number: 49-12-AS, medium blowing tube for double bass, sub-grand bass and sub-contrabass (manufactured from March 2011) or
Item number: 49-11-AS, small blowing tube for basset and greatbasses (manufactured from March 2011)
Spare parts finder
To find out exactly which mouthpiece/blowing piece you need, please use our spare parts finder
Product number:
49-12-AS
€98.00*
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